In Search of a Midnight Kiss (2007)

Director:

Alex Holdridge

Writer:

Alex Holdridge (writer)

Release Date:

13 June 2008 (UK)

Genre:

Comedy | Romance

Tagline:

It's not just another kiss

Plot:

Broke and alone on New Year's Eve, Wilson (Scoot McNairy) just wants to spend the rest of a very bad year in bed. But, when his best friend convinces him to post a personal ad, he meets a woman (Sara Simmonds) bent on finding the right guy to be with at midnight.

Plot Keywords:

Mumblecore

Awards:

2 wins

US Showtimes:

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Cast

Scoot McNairy	...	Wilson
Sara Simmonds	...	Vivian
Brian McGuire	...	Jacob
Kathleen Luong	...	Min
Twink Caplan	...	Wilson's Mother
Robert Murphy	...	Jack
rest of cast listed alphabetically:
Ann Chatterton	...	Neighbor #2
Cindy Drummond	...	Neighbor #1
Nic Harcourt	...	Radio DJ
Justin Huen	...	Neptune
Sandra Lindqvist	...	Craig's List Caller
Tony Morgan	...	Guy on Answering Machine
Via Osgood	...	Karen
Bret Roberts	...	Bui

Runtime:

USA:90 min

Country:

USA

Language:

English

Color:

Black and White

Certification:

Ireland:16

Filming Locations:

Austin, Texas, USA

Company:

Midnight Kiss Productions (II)

Goofs:

Factual errors: If Wilson's mom is in Florida, she shouldn't be toasting the New Year at the same time as Los Angelenos. She'd be 3 hours late.

Soundtrack:

My Good Deeds

It rambles, redeems itself, and ultimately works - and how it works!

Can love be found in the sparkle of damp streets? A soft-focus moment as desire is swept and sublimated into the tenderest kiss?

Do these scenes elicit warm memories for you? Or is it an emotional jack-off to a place you want to be in but can't?

In the last few days of each year, activity on sites like MySpace and Craigslist swells 300%. So many looking for love on New Year's Eve. Our ex-video-clerk (and award-winning film-maker), Alex Holdridge, has made them a movie. A dark, perverted, gritty, romantic comedy that, like a new relationship, comes with big indie warts-and-all. Then turns them around in an artsy, offbeat triumph.

Opening black-and-white photography of couples kissing exudes style. Tasteful snogging on sidewalks. Smooching by a river. Under neon. Christmas illuminations. Streetlights and shadows, and quiet corners. Sinatra croons "As Time Goes By" and a convenient voice-over says: "It's not just another kiss - it's all the hope of romance of the year culminating in just one moment."

But lets get real a minute. Our protagonist, love-luckless Wilson, is segueing the female half of one such scene into a private erotic fantasy. It features his best friend's girlfriend, Min. (Here the comedy plays to our discomfort). Determined to find him a life, Jacob and Min cajole him into placing an online dating ad. Vivian, neurotic blonde with openly cut-throat approach, soon 'interviews' Wilson as her potential New Year's Eve date.

Gutsy performances and shambolic production values keep Midnight Kiss rooted to some recognisable reality rather than the glossy romcom it could easily have become. Rambling dialogue is cringeworthy from the characters' awkwardness rather than lack of writing talent. What at first sight seems like an amateurish losers' mess, gradually earns its wings as human interaction shows Wilson to be more substantial and interesting than his tosser persona would credit; and Vivian to be more human than her pill-popping intro would have us believe.

Vivian's location sets were almost too realistic for the film's own good it seems. Twice, the cast and crew were threatened with police action when downmarket hotel managers were spooked by the sight of empty liquor bottles and prescription drug pill boxes. Much of the movie is made in downtown Los Angeles or Sunset Boulevard - surrounded by derelict theatres and decrepit hotels. But its verité style lovingly exposes both the city's decay and its beauty. Originally conceived as bitter critique, its ultimate appeal (like 'thelostshoeproject.com' that Vivian champions - 'everyone is searching for something') is one of jewels in the dust.

Pacing is adroitly achieved through abrupt changes in emotional resonance. From initial, self-consciously polished cinematography, we are thrown into Wilson's desultory world. And just as we want to lose patience with him, Vivian erupts into the dialogue, kicking ass all the way from Texas to L.A. A subplot involving Jacob and Min's romance distracts us long enough for the outcome of Wilson and Vivian's date to develop the needed tension. And perhaps the fact that the film doesn't sell out at the end persuades us to view the whole episode more kindly. The palpably low-budget allows the skills of the filmmakers to shine through - whereas a market-perfect production could well have glossed over them. Rather than a movie for couples out on a date, In Search of A Midnight Kiss is for all the people who wish they were out on a date. Or for couples brave enough to ask if they are any better off.

The film, for all its flaws, connects in a way that sanitised romantic comedy can not. Perhaps in idealising love it is all too easy to ignore the grubbier roots and miss what is in front of our eyes.