| Photos (see all 30 | slideshow) | Videos |
| Ellen Page | ... | Sylvia Likens | |
| Hayley McFarland | ... | Jennifer Faye 'Jennie' Likens | |
| Nick Searcy | ... | Lester Likens | |
| Romy Rosemont | ... | Betty Likens | |
| Catherine Keener | ... | Gertrude Baniszewski | |
| Ari Graynor | ... | Paula Baniszewski | |
| Scout Taylor-Compton | ... | Stephanie Baniszewski | |
| Tristan Jarred | ... | Johnny Baniszewski | |
| Hannah Leigh Dworkin | ... | Shirley Baniszewski | |
| Bradley Whitford | ... | Prosecutor Leroy K. New | |
| Michael O'Keefe | ... | Reverend Bill Collier | |
| Carlie Westerman | ... | Marie Baniszewski | |
| Michelle Benes | ... | Hope Orbach | |
| Patricia Place | ... | Mrs. Doyle | |
| Calvin Keet | ... | Mr. Doyle | |
| Jeremy Sumpter | ... | Coy Hubbard | |
| James Franco | ... | Andy | |
| Brian Geraghty | ... | Bradley | |
| Channing Nichols | ... | Patty Ryan | |
| Eliza Dean | ... | Mary O'Connell | |
| Michael Welch | ... | Teddy Lewis | |
| Evan Peters | ... | Ricky Hobbs | |
| Amy Ferguson | ... | Sally Kent | |
| Scott Eastwood | ... | Eric (as Scott Reeves) | |
| Will Carter | ... | Officer Waters | |
| Edward James Gage | ... | Bailiff | |
| Kuma | ... | Baniszewski Dog | |
| rest of cast listed alphabetically: | |||
| James Meehan | ... | Defense Attorney (uncredited) | |
| Paul Palo | ... | Newspaper Reporter (uncredited) | |
Directed by | |||
| Tommy O'Haver | |||
Writing credits(WGA) | ||
| Tommy O'Haver | (written by) & | |
| Irene Turner | (written by) | |
Produced by | |||
| Jocelyn Hayes | .... | producer | |
| Pamela Koffler | .... | executive producer | |
| Hans C. Ritter | .... | co-producer (as Hans Christian Ritter) | |
| Katie Roumel | .... | producer | |
| Kevin Turen | .... | producer | |
| Christine Vachon | .... | producer | |
| John Wells | .... | executive producer | |
| Henry Winterstern | .... | producer | |
Original Music by | |||
| Alan Ari Lazar | (as Alan Lazar) | ||
Cinematography by | |||
| Byron Shah | (director of photography) | ||
Film Editing by | |||
| Melissa Kent | |||
Casting by | |||
| Anya Colloff | |||
| Judy Cook | |||
| Amy McIntyre Britt | |||
| Michael V. Nicolo | |||
Production Design by | |||
| Nathan Amondson | |||
Art Direction by | |||
| Zach Bangma | |||
Set Decoration by | |||
| Lisa Alkofer | |||
Costume Design by | |||
| Alix Hester | |||
Makeup Department | |||
| Mandy Danielle Benton | .... | additional makeup | |
| Marc Boyle | .... | additional hair | |
| Essie Cha | .... | additional makeup | |
| Daniel Curet | .... | hair department head | |
| Jorjee Douglas | .... | makeup department head | |
| Rebecca Perkins | .... | special effects makeup | |
| Randa Squillacote | .... | key hair stylist | |
| Nancy Stimac | .... | additional hair | |
| Liz Webster | .... | additional hair (as Elizabeth Webster) | |
Production Management | |||
| Stuart Burkin | .... | executive in charge of production | |
| Beau J. Genot | .... | post-production supervisor | |
| Jonathan McCoy | .... | unit production manager | |
Second Unit Director or Assistant Director | |||
| Lance Lanfear | .... | day player first assistant director | |
| Chad Rosen | .... | first assistant director | |
| Tessa Lyn Stephenson | .... | second assistant director | |
| Frank Tignini | .... | second second assistant director | |
| Frankie Tignini | .... | second second assistant director | |
Art Department | |||
| Isaac Amondson | .... | set dresser | |
| Rachel Amondson | .... | art department production assistant | |
| Bruce Bellamy | .... | set dresser | |
| Craig D. Bentley | .... | propmaker | |
| Max Bozeman | .... | leadman (as Max K. Bozeman) | |
| Nelson Bush | .... | leadman | |
| Michael A. Clark | .... | propmaker gang boss | |
| Scott Cockerell | .... | assistant property master (as Scott C. Cockerell) | |
| Billy Constantine | .... | painter | |
| Juliane Crump | .... | conceptual researcher | |
| Scott Enge | .... | plasterer | |
| David Esparza | .... | painter | |
| Eduardo H. Esparza | .... | propmaker gang boss (as Eddie Esparza) | |
| Brian Fernandez | .... | plasterer | |
| Craig Handschu | .... | set dresser | |
| Ken Howland | .... | plasterer | |
| Sean D. Jackson | .... | set dresser | |
| Roger Kelton | .... | construction coordinator | |
| Jina Kim | .... | p.a. | |
| Scott Kitchen | .... | propmaker foreman (as Scott A. Kitchen) | |
| Chris Larsen | .... | set dresser | |
| Robert C. Moore | .... | propmaker | |
| Jeffrey M. O'Brien | .... | property master | |
| Doreen Parker | .... | painter | |
| Chris Patterson | .... | set dresser | |
| Paul V. Picerni Jr. | .... | on-set property (as Paul V. Picerni) | |
| Kip Sawyer | .... | paint foreman | |
| Jamie Silverstein | .... | set intern | |
| Dan Thompson | .... | set intern | |
| Dennis J. Vannatta | .... | set dresser (as Dennis Vannatta) | |
| Helen Wilson | .... | swing | |
| Adam C. Woods | .... | propmaker | |
Sound Department | |||
| Albert Aquino | .... | boom operator | |
| Vince Balunas | .... | adr & dialogue editor | |
| Jeff K. Brunello | .... | sound effects editor | |
| Daniel Colman | .... | sound effects editor | |
| Mick Davies | .... | boom operator | |
| Bill Devine | .... | adr recordist | |
| Michael J. Fox | .... | adr mixer | |
| David Holmes | .... | sound utility | |
| Marti D. Humphrey | .... | sound re-recording mixer | |
| Chris M. Jacobson | .... | sound re-recording mixer | |
| Jack Levy | .... | supervising sound editor | |
| Doug Madick | .... | foley artist | |
| Richard Partlow | .... | foley artist (as Rick Partlow) | |
| Scott Stolz | .... | sound mixer | |
Special Effects by | |||
| David Waine | .... | special effects coordinator | |
Visual Effects by | |||
| Travis Baumann | .... | Flame artist | |
| Kristin Johnson | .... | digital compositor | |
| Kristin Johnson | .... | visual effects supervisor | |
| Albert Mason | .... | visual effects producer | |
| Christopher Stack | .... | imaging supervisor: Digiscope | |
Stunts | |||
| Lou Simon | .... | stunt coordinator | |
Camera and Electrical Department | |||
| Jeb Banegas | .... | camera intern | |
| Amy Bojanowski | .... | additional loader | |
| Cris Borgnine | .... | additional electrician | |
| Richard W. Botchlet | .... | additional best boy electric | |
| Patrick Brennan | .... | lighting board operator | |
| Nathaniel R. Brown | .... | additional electrician (as Nate Brown) | |
| Danielle C. Carroll | .... | additional loader | |
| Brian Christie | .... | dolly grip | |
| Jeff Clark | .... | steadicam operator | |
| Kelly Cummins | .... | second assistant camera | |
| Jeanne Dear | .... | additional company grip | |
| Guido Egger | .... | additional company grip | |
| Eric Forand | .... | additional gaffer | |
| Michael Francisco | .... | additional electrician (as Michael A. Francisco) | |
| Samuel Buddy Fries | .... | camera operator (as Bud Fries) | |
| Stephen Furry | .... | best boy rigging grip | |
| Kevin C. Goff | .... | additional second assistant camera: "b" camera | |
| Erik Gonzales | .... | additional set electrician | |
| Jilliane Grodecki | .... | camera intern | |
| Tim Hedgecock | .... | electrician | |
| Mike Horan | .... | best boy grip (as Mike 'Mega' Horan) | |
| Paul Janossy | .... | first assistant camera | |
| Hunter Laizure | .... | electrician | |
| Heather Lea | .... | first assistant camera: "b" camera (as Heather Leroy) | |
| Eric Lee | .... | still photographer | |
| Sabyn Mayfield | .... | key grip | |
| Wes Meilandt | .... | additional electrician | |
| Daniel Miller | .... | additional company grip | |
| Cris Moris | .... | additional electrician (as Chrisobal Moris) | |
| Michael M. Mosley | .... | additional electrician (as Mike Moseley) | |
| Kevin Mucha | .... | additional electrician | |
| David Newbert | .... | grip | |
| Rich Paisley | .... | gaffer (as Richard Paisley) | |
| Matt Perry | .... | rigging best boy | |
| Michelle Pizanis | .... | loader: "b" camera | |
| Michelle Pizanis | .... | second assistant camera: "b" camera (as Michele Pizanis) | |
| Kelly Price | .... | additional company grip (as Kelly Prize) | |
| Avi Roffman | .... | additional electrician | |
| Michael Roy | .... | rigging gaffer (as Michael Victor Roy) | |
| Aaron Schulte | .... | best boy electric | |
| Kevin Sheedy | .... | additional company grip | |
| Michael Silva | .... | additional electrician (as Mike Silva) | |
| Travis Stewart | .... | electrician | |
| Daniel Taylor | .... | second assistant camera | |
| Max Thorpe | .... | grip intern | |
| Rick Tschudin | .... | additional first assistant camera: "b" camera | |
| Kenny Tucker | .... | additional electrician | |
| Jim West | .... | additional company grip | |
| Matt Whitted | .... | grip (as Matthew Whitted) | |
| Chad Wilson | .... | steadicam operator | |
Costume and Wardrobe Department | |||
| Tiana Aiello | .... | costumer | |
| Lori Ayala-Read | .... | costume supervisor (as Lori Reed) | |
| Molly O'Haver | .... | costumer | |
Editorial Department | |||
| Stacy Katzman | .... | assistant editor | |
| Mato | .... | color timer | |
Music Department | |||
| Spring Aspers | .... | music supervisor | |
| Ryan Gaines | .... | music coordinator | |
| David Low | .... | orchestra contractor | |
| Dean Menta | .... | music editor | |
| Ashley Miller | .... | executive in charge of music | |
| Michael Nowak | .... | orchestrator | |
| Larry Rench | .... | orchestrator | |
| Casey Stone | .... | music scoring mixer | |
Transportation Department | |||
| Michael Perrotti | .... | transportation coordinator | |
Other crew | |||
| Carlos A. Aragon | .... | location manager | |
| Matt Baker | .... | key set production assistant (as Matthew Baker) | |
| Greg Bernstein | .... | legal services | |
| MaryEllen Blair | .... | assistant to producer | |
| Meghan Burchfield | .... | production assistant | |
| Yee Yeo Chang | .... | assistant to producer | |
| Marjorie Chodorov | .... | production accountant | |
| Sarah Clifford | .... | head animal trainer | |
| John Patrick L. Crum | .... | production assistant | |
| Chris Disher | .... | assistant to director | |
| Sean P. Galvin | .... | set production assistant | |
| Paul Jaconi Biery | .... | production coordinator | |
| Eloy Lara | .... | key set medic | |
| Joanna Lara | .... | assistant production coordinator | |
| Jan McWilliams | .... | script supervisor | |
| Beth Newbauer | .... | assistant to producer | |
| Hans C. Ritter | .... | head of production (as Hans Christian Ritter) | |
| Karen Roberts | .... | post-production accountant | |
| Lou Simon | .... | fight choreographer | |
| Fiona Walsh | .... | production assistant | |
Thanks | |||
| Hugh Dancy | .... | special thanks | |
| Billy Mulligan | .... | special thanks | |
| Kirsten Smith | .... | special thanks | |
| John Waters | .... | very special thanks | |
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| IMDb Crime section | IMDb USA section | Add this title to MyMovies |
I attended the world premiere of "An American Crime" at the 2007 Sundance Film Festival. Among the several decidedly downbeat films I saw this past week, this one was by far the hardest to watch. But something about it is compelling, like craning your neck to see what horrors can be spotted at the scene of a car crash. You know it can't be anything pretty, yet you can't take your eyes off it. Perhaps it was knowing that the film is, in fact, based on a true story. The opening courtroom scenes and disclaimer that "actual transcripts" were used make that clear. There's something about a "true crime" drama that triggers a desire to sit through whatever terrifying images lie ahead. And the images conjured up here are bone-chilling.
In 1965, Betty Likens (Romy Rosemont) and her husband Lester (Nick Searcy) decided it was best to leave their two daughters with a neighbor while they went off with a traveling carnival. So Sylvia Likens (Ellen Page) and her sister Jennie Fae (Hayley McFarland) settled in with the Baniszewski clan. And what a clan it was. Mother Gertrude (Catherine Keener) already had five of her own in tow, and now she added two more. What happened then, well documented in the record, is now played out for us with horrifying realism.
This is Keener and Page's film, despite the large ensemble cast assembled for the story. And both actors create frighteningly devastating portrayals of characters we still can't quite believe really endured these horrors. Mommie Dearest doesn't hold a candle to Keener's Gertrude, and Page is as heartbreaking as any victim I've seen in modern cinema. Both turn in award-winning performances that left me with chills.
In addition to the numerous family members, an assortment of school chums has the opportunity to get involved in some way. Coy Hubbard (Jeremy Sumpter) is the boyfriend of one of the Baniszewski brood. Known to most from 2003's "Peter Pan," we can't help but feel that he will be the hero here. Teddy Lewis (Michael Welch), is an enigma from the start. One of our most prolific yet underrated young actors today, Welch is perfectly cast as the boy whose blood runs hot or cold depending on the prevailing winds. Other notables include The West Wing's Bradley Whitford as prosecutor Leroy K. New.
This is a period piece set in the mid-60s, and the costumes, sets, and palette of colors effectively evokes that era to a T. Much of the film's look can be attributed to the cinematography of Byron Shah, who had two films here at Sundance (his "The Go-Getter" was one of my favorite film' at this year's festival).
"An American Crime" is not for everyone. It's a horror film that isn't a work of fiction. If it was from the hand of Stephen King it would be scary and delicious. Instead it's scary and nauseating. Yet it deserves the label "important," because the subject matter is worthy of discussion. And that's because the horrors exposed in this film are still occurring today. That's the real crime.